Boy #5 (2020)
A social worker takes a withdrawn homeless boy into her care, not suspecting that he is a kind of mutant vampire.
The Bridge (2006)
Documenting suicides from the Golden Gate bridge.
Forty-Two (2026)
In an alternate 1942, Britain has fallen to Nazi Germany. A group of ordinary British people are captured by a ruthless SS officer who is determined to find a Resistance spy among them. Can they hold out under interrogation or will they crumble?
Kiss The Water (2013)
Portrait of salmon fly-maker Megan Boyd.
Minyan (2020)
New York in the 1980s. Seventeen-year-old David, who is tentatively beginning to express his homosexuality in the East Village gay scene, gradually starts to question the strict rules of his Jewish community.
News

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

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It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film